Description:

Eric Flint’s acclaimed 1634: The Galileo Affair was a national bestseller from one of the most talked-about voices in his field. Now, in this extraordinary new alternate history, Flint begins a dramatic saga of the North American continent at a dire turning point, forging its identity and its future in the face of revolt from within, and attack from without.

In the War of 1812, U.S. troops are battling the British on the Canadian border, even as a fierce fight is being waged against the Creek followers of the Indian leader Tecumseh and his brother, known as The Prophet. In Europe, Napoleon Bonaparte’s war has become a losing proposition, and the British are only months away from unleashing a frightening assault on Washington itself. Fateful choices are being made in the corridors of power and on the American frontier. As Andrew Jackson, backed by Cherokee warriors, leads a fierce attack on the Creek tribes, his young republic will soon need every citizen soldier it can find.

What if–at this critical moment–bonds were forged between men of different races and tribes? What if the Cherokee clans were able to muster an integrated front, and the U.S. government faced a united Indian nation bolstered by escaping slaves, freed men of color, and even influential white allies?

Through the remarkable adventures of men who were really there–men of mixed race, mixed emotions, and a singular purpose–The Rivers of War carries us in this new direction, brilliantly transforming an extraordinary chapter of American history.

With a cast of unforgettable characters–from James Monroe and James Madison to Sam Houston, Francis Scott Key, and Cherokee chiefs John Ross and Major Ridge–The Rivers of War travels from the battle of Horseshoe Bend to the battle of New Orleans, and brings every explosive moment to life. With exquisite attention to detail, an extraordinary grasp of history, and a storyteller’s gift for the dramatic, Flint delivers a bold, thought-provoking epic of enemies and allies, traitors and revolutionaries, and illuminates who we are as a nation, how we got here, and how history itself is made–and remade.

From Publishers Weekly

Starred Review. The first of a projected two-volume series, Flint's witty, tightly written alternative history presents a subtly revised version of events in the final year of the War of 1812. In March 1814, in the Mississippi Territory, Gen. Andrew Jackson's Tennessee Militia and Cherokee warriors fight a decisive battle against the Creek Indians. In August, a young Sam Houston, the adopted son of a Cherokee chief, arrives in Washington in time to help defend the Capitol building from invading British troops. The British fail to reach Fort McHenry, but they do get to New Orleans, where they adopt a slightly more intelligent plan of attack than in reality. While the enlightened political and racial attitudes of some white characters may seem unrealistic, such views weren't unheard of even in the South before significant expansion west and the emergence of the cotton kingdom. Flint (1632) offers historical figures rarely seen in fiction, such as James Monroe, in pre-Doctrine days, and the British general Robert Ross (not killed outside Baltimore); thorough scholarship in Napoleonic-era warfare; and strong, credible women. Fans will cheer even louder if this outstanding start turns out to be the first of a long saga. 6-city author tour. (May 17)
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From Booklist

Flint's new alternate-history saga explores the possibility that the Trail of Tears never occurred by depicting a thoroughly different War of 1812. It begins with Andrew Jackson's campaign against the Creeks, in which the Cherokees fought on Jackson's side. Young Sam Houston, an adopted Cherokee, and Patrick Driscol, an Irish rebel and Napoleonic Wars veteran, are sent to Washington, arriving just before the British do. Though Flint does not eliminate the "battle" of Bladensburg (alas!), his British don't burn Washington and never get to Fort McHenry. They do get to New Orleans, however, where, despite a more intelligent plan of attack than Pakenham actually used, Jackson repels them with the aid of some free black naval gunners, the Cherokees, Houston, and Driscol. And Flint's Pakenham survives. Flint has thoroughly mastered storytelling, and his characterization is masterly. His characters, historical and invented, are plausible for the time and place, and he makes neither an icon nor a demon of anyone. Irresistible for Flint's 1632 series fans and, indeed, for alternate-history buffs in general. Frieda Murray
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