In AD 2600 the human race is finally beginning to realize its full potential. Hundreds of colonized planets scattered across the galaxy host a multitude of prosperous and wildly diverse cultures. Genetic engineering has pushed evolution far beyond nature's boundaries, defeating disease and producing extraordinary spaceborn creatures. Huge fleets of sentient trader starships thrive on the wealth created by the industrialization of entire star systems. And throughout inhabited space the Confederation Navy keeps the peace. A true golden age is within our grasp.
But now something has gone catastrophically wrong. On a primitive colony planet a renegade criminal's chance encounter with an utterly alien entity unleashes the most primal of all our fears. An extinct race which inhabited the galaxy aeons ago called it "The Reality Dysfunction." It is the nightmare which has prowled beside us since the beginning of history.
THE REALITY DYSFUNCTION is a modern classic of science fiction, an extraordinary feat of storytelling on a truly epic scale.
Amazon.com Review
This is space opera on an epic scale, with dozens of characters, hundreds of planets, universe-spanning plots, and settings that range from wooden huts and muddy villages to sentient starships and newborn suns. It's also the first part of a two-volume book that is itself the first book of a series. There's no question that there's a lot going on here (too much to even begin to detail the plot), but Hamilton handles it all with an ease reminiscent of E. E. "Doc" Smith. The best way to describe it: it's big, it's good, and luckily there's plenty more on the way.
Description:
Space is not the only void...
In AD 2600 the human race is finally beginning to realize its full potential. Hundreds of colonized planets scattered across the galaxy host a multitude of prosperous and wildly diverse cultures. Genetic engineering has pushed evolution far beyond nature's boundaries, defeating disease and producing extraordinary spaceborn creatures. Huge fleets of sentient trader starships thrive on the wealth created by the industrialization of entire star systems. And throughout inhabited space the Confederation Navy keeps the peace. A true golden age is within our grasp.
But now something has gone catastrophically wrong. On a primitive colony planet a renegade criminal's chance encounter with an utterly alien entity unleashes the most primal of all our fears. An extinct race which inhabited the galaxy aeons ago called it "The Reality Dysfunction." It is the nightmare which has prowled beside us since the beginning of history.
THE REALITY DYSFUNCTION is a modern classic of science fiction, an extraordinary feat of storytelling on a truly epic scale.
Amazon.com Review
This is space opera on an epic scale, with dozens of characters, hundreds of planets, universe-spanning plots, and settings that range from wooden huts and muddy villages to sentient starships and newborn suns. It's also the first part of a two-volume book that is itself the first book of a series. There's no question that there's a lot going on here (too much to even begin to detail the plot), but Hamilton handles it all with an ease reminiscent of E. E. "Doc" Smith. The best way to describe it: it's big, it's good, and luckily there's plenty more on the way.
From Publishers Weekly
First published in 1996, this behemoth opening to the Night's Dawn trilogy takes humankind across the galaxy on a quest for profit that becomes a desperate battle for survival. Space scavenger Joshua Calvert begins shipping wood from the primitive planet Lalonde to the pastoral patrician planet Kulu despite a revolt among the prisoners who serve as Lalonde's forced labor. A greater threat lurks within Lalonde's intensely claustrophobic jungle: an energy virus that turns people into zombies and that even 27th-century biotechnology can't cure. Hamilton succinctly uses strong visual imagery to bring each culture and civilization to life. Only this relative economy of language allows so many plots, subplots and characters to be squeezed into over 900 pages. Elements of space opera, Straubesque horror and adrenaline-laced action make this a demanding, rewarding read. (Nov.)
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