"In Quebec, winters can be slow for the forensic anthropologist. The temperature rarely rises above freezing. The rivers and lakes ice over, the ground turns rock hard, and snow buries everything. Bugs disappear, and many scavengers go underground. The result: Corpses do not putrefy in the great outdoors. Floaters are not pulled from the St. Lawrence... and some of last season's dead are not found until the spring melt."
Readers of Kathy Reichs's cool and clever first forensic thriller Déjà Dead will recognize the ironic voice of Tempe (short for Temperance) Brennan, the North Carolina-born scientist who winds up working at the Laboratoire de Médicine Légale in Montreal. Here she bristles at the conservative attitudes of some of her Canadian colleagues.
Despite the cold weather, Tempe's workload quickly becomes heavy: the bones of a long-dead nun now up for sainthood have been moved and tampered with; a deadly house fire turns out to be arson; and a university teaching assistant disappears after joining a cult. Tempe must figure out where (and why) all the bodies are buried in the hard Canadian ground. Her investigations take her home to North Carolina, and to a strange colony living on an offshore island.
Unlike certain other writers who specialize in forensic pathology, Reichs doesn't revel in the horror of death or rub our noses in gore: she uses the science of death to reveal rather than to shock or startle. It definitely makes for easier reading--especially at mealtimes. --Dick Adler
From Publishers Weekly
Forensic anthropologist Temperance "Tempe" Brennan of the Laboratoire de M?dicine L?gale in Montreal makes a triumphant second appearance in Reichs's powerful followup to her bestselling debut, D?j? Dead. The novel opens atmospherically in a frigid church graveyard as Tempe labors to exhume the century-old remains of a nun so that the Church can posthumously declare her a saint. But the bones aren't where they're supposed to be according to the graveyard map, and there's something suspicious about them when they do turn up. Tempe's caseload multiplies as a house fire proves to be a horrific instance of arson and a university teaching assistant who's recently joined a cult goes missing. The three seemingly individual events begin to braid together, as the doings with the doomsday cult draw Tempe to North Carolina. As in D?j? Dead, ReichsAherself a forensic anthropologistArenders comprehensively and believably the cool, tense intelligence of her heroine. A North Carolina native who consults in Montreal only a few months of the year, Tempe still hasn't acclimated to the bone-chilling Northern cold, and if she's come to expect the misogynist attitudes of some of the Canadian officials, she still bristles at them. Also well presented are Tempe's refreshing compassion in the face of relentless autopsies, her ability to describe a corpse with judiciously graphic detail and her penchant for revealing the art behind the science on such matters as the preservation of a corpse's teeth. Reichs's first novel, which won the Arthur Ellis Award for Best First Novel of 1997, was compared justifiably to the Kay Scarpetta novels of Patricia Cornwell. Soon, Cornwell's novels may be compared to Reichs's. Agent, Jennifer Rudolph Walsh. Major ad/promo; author tour. Copyright 1999 Reed Business Information, Inc.
Description:
Amazon.com Review
"In Quebec, winters can be slow for the forensic anthropologist. The temperature rarely rises above freezing. The rivers and lakes ice over, the ground turns rock hard, and snow buries everything. Bugs disappear, and many scavengers go underground. The result: Corpses do not putrefy in the great outdoors. Floaters are not pulled from the St. Lawrence... and some of last season's dead are not found until the spring melt."
Readers of Kathy Reichs's cool and clever first forensic thriller Déjà Dead will recognize the ironic voice of Tempe (short for Temperance) Brennan, the North Carolina-born scientist who winds up working at the Laboratoire de Médicine Légale in Montreal. Here she bristles at the conservative attitudes of some of her Canadian colleagues.
Despite the cold weather, Tempe's workload quickly becomes heavy: the bones of a long-dead nun now up for sainthood have been moved and tampered with; a deadly house fire turns out to be arson; and a university teaching assistant disappears after joining a cult. Tempe must figure out where (and why) all the bodies are buried in the hard Canadian ground. Her investigations take her home to North Carolina, and to a strange colony living on an offshore island.
Unlike certain other writers who specialize in forensic pathology, Reichs doesn't revel in the horror of death or rub our noses in gore: she uses the science of death to reveal rather than to shock or startle. It definitely makes for easier reading--especially at mealtimes. --Dick Adler
From Publishers Weekly
Forensic anthropologist Temperance "Tempe" Brennan of the Laboratoire de M?dicine L?gale in Montreal makes a triumphant second appearance in Reichs's powerful followup to her bestselling debut, D?j? Dead. The novel opens atmospherically in a frigid church graveyard as Tempe labors to exhume the century-old remains of a nun so that the Church can posthumously declare her a saint. But the bones aren't where they're supposed to be according to the graveyard map, and there's something suspicious about them when they do turn up. Tempe's caseload multiplies as a house fire proves to be a horrific instance of arson and a university teaching assistant who's recently joined a cult goes missing. The three seemingly individual events begin to braid together, as the doings with the doomsday cult draw Tempe to North Carolina. As in D?j? Dead, ReichsAherself a forensic anthropologistArenders comprehensively and believably the cool, tense intelligence of her heroine. A North Carolina native who consults in Montreal only a few months of the year, Tempe still hasn't acclimated to the bone-chilling Northern cold, and if she's come to expect the misogynist attitudes of some of the Canadian officials, she still bristles at them. Also well presented are Tempe's refreshing compassion in the face of relentless autopsies, her ability to describe a corpse with judiciously graphic detail and her penchant for revealing the art behind the science on such matters as the preservation of a corpse's teeth. Reichs's first novel, which won the Arthur Ellis Award for Best First Novel of 1997, was compared justifiably to the Kay Scarpetta novels of Patricia Cornwell. Soon, Cornwell's novels may be compared to Reichs's. Agent, Jennifer Rudolph Walsh. Major ad/promo; author tour.
Copyright 1999 Reed Business Information, Inc.